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Voiceover Software – there are many different types, brands and makes of voiceover software on the market. This blog looks at the most popular voiceover software and makes recommendations as to what they’re used for, which are best, and why. There are different types of voiceover software that you should specifically use during your studio recordings, be that at home in your home recording studio, or out and about. This blog is specific to that software – however this blog looks at the generic types of software and tools you will need as a voice artist. The Types of Voiceover Software. So what are these different types of voiceover software? What are they used for? Well, as an overview (specifically to Voiceover) these can be broken down into four broad groups: Audio Editors. Multi- Track Recorders (DAW’s, or Digital Audio Workstations)Plugins. Miscellaneous Voice Studio Software. This blog deals with the first two in turn. Plugins are a huge subject and a little off- topic for a discussion on Voiceover Artists requirements as they’re common to all recording software environments. For miscellaneous voiceover software, go and google Annotate and Voxover, two amazing bits of software that you may want to consider for your studio, but again out of the scope of this topic.#1 – Audio Editors. These are the lifeblood and the workhorses of most Voiceover Artists, and indeed radio producers, television editors, hobbyists and studio engineers around the world. Audio editors do exactly what they say on the tin – they edit audio. In almost all cases they edit destructively, meaning that as you make a change to a file it is saved into the source audio file itself. This is important to note as it affects your workflow and how you should backup & manage your audio files. Typical things you can do with an audio editor include: Recording audio in a single stream (mono or stereo) from selectable inputs. Editing the audio file, for example selecting an area, moving it, deleting it, copying it and so on. Providing a visual representation of the audio file, areas you are working on, sometimes in decibels (volume) sometimes via spectral views (by pitch) and so on, with audio meters to show specific levels at various points. Creating new audio files. Renaming audio files. Processing the audio files, e. EQ, topping & tailing, adding delay, echo, reverb, effects, altering the volume, all of which can be done as a whole or on individual parts. Reversing audio files. Sorting out audio problems such as phasing, de- essing, removal of noise, pops and clicks, plosives. Mastering your audio ready for broadcast & delivery to clients. Changing sample rates, bit depth and filetypes, for example converting from wav files to mp. Batching repetitive processing tasks to save huge amounts of time. The key elements of a good, professional audio editor are that they should allow all of their operations to a fine- point detail (i. Examples (& Ratings) of Audio Editors: Sony Sound. Forge Pro(Mac/Windows) – £2. Pro version, £7. 9 / $9. Entry Versions. At the time of writing this, there are two distinct and separate versions of Sony’s Sound. Forge – the Windows version and the Mac version. For historical reasons, these are not in sync with each other and may as well be considered different programs. They look and feel different and are even sold separately. The Mac version of Sound. Forge is in it’s infancy – at the time of writing it is on V2. Windows version. Although it’s prettier, and much better than the free software I’ll mention later, it still has someway to go to match it’s sister in terms of functionality. However, that said, it’s developed by Sony who have an amazing track record and a huge development team so I expect this to change radically and will quickly catch up. Don’t get me wrong though, even the Mac version as a piece of voiceover software is a fantastic audio editor worthy of anyone’s money. The Mac version also comes with a completely new and standalone ‘Convrt’ program (which has completely redesigned the existing batch processor) which makes batching files a doddle – and easily the best batch processing system on the market. The Windows version of Sound. Forge though is an absolute joy to use and is easily my audio editor of choice. It’s robust, highly feature- rich, has been excellently developed, has a clean, simple layout and…. You can edit simply and easily (it’s snap functions are second to none, and for editing out voice- clicks this program is by far the easiest I’ve used) and the audio engine sounds great – it introduces no noise whatsoever. Sony Pictures and all of Sony’s audio engineers, studios and so on use this software and it really shows in it’s development, layout and professionalism. The batch converter is especially useful and extremely easy to use. For the tech- heads among you, it also comes with it’s own scripting language so you can literally write macros and scripts to process highly- complex audio tasks, and has lots of great features such as daisy- chaining effects, markers with split functions (to chop up those long single recordings into multiple files) and much more. The Sony Noise Reduction plugin is also second to none. More on plugins later, however Sound. Forge does have one key feature that’s the reason I use it in our studios instead of Audition and that is the Auto Trim/Crop function. In essence this trims blank space (silence) from the start and the end of files, and can be batched, with varying settings and fade- curves. Why is this important? Voiceover artists the world over record multi- line scripts, for example, 2. IVR recordings, where each line needs to be saved as an individual file. Sound. Forge is the only program on the market that allows you to, for example, specify a 5. This one plugin alone is worth the expense of the program and makes your life as a voiceover artist much, much easier.(NB: There is an entry level version of this program called Sound. Forge 2 which is much cheaper and less feature rich version of the program.)FREE COURSEGet our FREE course on how to become a voice over actor. Adobe Audition(Mac/Windows) – Subscription Only (£1. Once upon a time there was a company called Syntrillium who had one of the world’s best audio editors, called Cool Edit Pro 2. Syntrillium sold it to Adobe and Adobe really haven’t done an awful lot with it since. It is however, still brilliant. Unlike Sound. Forge, the Mac and Win versions of this program are in sync and both are great. The major advantage of Audition, and the reason that it’s very popular as a piece of voiceover software, is that it’s a brilliant editor, but unusually it also has a multitrack section to it. Compared to programs such like Cubase, Protools and Logic, the multitrack capabilities are relatively limited, but for those who just want to line up music with audio tracks, make demo reels and that kind of thing, Audition’s multi- track capabilities are perfectly adequate. You can do all the things you’d normally expect, such as placement of tracks, fades on regions, send and return effects and insert effects, and of course mixdowns. If you’re into creating your own music or very detailed productions, this probably isn’t for you, but as voiceover software – it’s fine. Back to the editor though, it’s virtually flawless. It’s got a great audio engine and you can edit to a sample level and do all the things you can do in Sound. Forge with the exception of the auto- trim/crop. In some cases it’s superior to Sound. Forge with things like it’s visualisations – the spectral view is just great and very useful. It’s batching is comprehensive and although not quite as simple to use as Sound. Forge, is still powerful and automates many tasks that would otherwise take forever. It can take a little while for the uninitiated to figure out where everything is with Audition, but once you’re there, it’s workflow makes a lot of sense, and it has several features that are incredibly useful like workspaces which allow you to save and amend your working area as you see fit, and recall them at the touch of a button. One downside is that Adobe have now made Audition exclusively a subscription product so you now have to pay for it monthly. I don’t really like this option as I would like to pay once and keep forever, but there is the argument that users tend to upgrade their software every other year, and so you keep on paying anyway. The µVision IDE combines project management, run-time environment, build facilities, source code editing, and program debugging in a single powerful environment. Best C++ IDE or Editor for Windows. Someone already said this before me. Qt. 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Should You Buy a DSLR or Point and Shoot Digital Camera? A Post By: Darren Rowse“I’m using a compact point and shoot digital camera and i would like to ask it is worth it to upgrade to a DSLR camera? How huge a difference do DSLR cameras make compared to compact point and shoot digital camera?”Thanks for the question – I’ll attempt to keep my answer brief and not too technical. This is a question that I’m regularly asked, increasingly so as the price of DSLRs have dropped and become much more in the reach of the average digital photographer’s budget. Before I start this post you might like to check out two posts looking at the Top DSLR Models and Top Point and Shoot Cameras as voted by our readers. Let me declare up front that I own both a Point and Shoot digital camera (a Fujifilm Fine. Pix F3. 0) and a DSLR (a Canon EOS 5. “I’m using a compact point and shoot digital camera and i would like to ask it is worth it to upgrade to a DSLR camera? How huge a difference do DSLR cameras make. Note to Linux distributors: The only executable files that should be installed by a dcraw package are "dcraw", "clean_crw", and maybe "fuji_green", "fujiturn", and. Statistical Techniques | Statistical Mechanics. D). I like having both because I do feel they compliment each other and are each suited for different situations. My preference in terms of quality of shots is with the DSLR but for convenience the point and shoot sometimes wins out. I also want to say up front that the digital camera industry is constantly evolving and changing. The lines between DSLRs and point and shoots are blurring (or at least this seems to be the intention of manufacturers). What I write below unfortunately will have elements of generalizations in it as I classify hundreds of cameras (each with their own distinctive features) into two camps. Are Megapixels Everything? Before I get into the Pros and Cons of DSLRs vs Point and Shoot digital cameras I want to address a common misconception that I regularly hear among digital camera owners – that a cameras megapixel rating is the main thing to consider when determining a camera’s quality. The fact is that megapixels are NOT everything. Despite point and shoot cameras now coming with up to 1. Casio released one last month) their quality level is not necessarily has good as a DSLR with only 8 or so. The main reason for this (and there are many as we’ll see below) is that the image sensor used in point and shoot digital cameras is generally much smaller than the image sensor used in a DSLR (the difference is often as much as 2. This means that the pixels on a point and shoot camera have to be much smaller and (without getting too technical) collect fewer photons (ok I lied about the technicalities). The long and short of it is that because of this point and shoot cameras need to work at slower ISO levels which means that they produce ‘noisier’ (or more grainy) shots. A lot more could be said on sensor size – but trust me, smaller sensors significantly reduce the quality of an image. I’d much rather have a camera with less megapixels and a larger image sensor than the other way around. This is one factor that needs to be considered when choosing between a DSLR and point and shoot – but let me run through some more: DSLRs. A quick definition – unfortunately some camera manufacturers in recent months have released cameras with the DSLR label that technically are not. For the purposes of this article I’ll define DSLR’s as cameras that have removable lenses, that have a reflex mirror which allows live optical viewing through the lens taking the image. DSLR’s use a mirror that allows you to see the image you’re about to shoot through the view finder – when you take the shot the mirror flips up allowing the image sensor to capture the image. Some cameras these days are being touted as DSLRs because you have ‘through lens viewing’ but they are not true DSLR’s – (Digital, Single, Lens, Reflex). This does not necessarily make them a bad camera – but in my opinion it there is a distinction between them. DSLR Strengths. Image Quality – I’ve already covered this above in my discussion on megapixels and image sensors – but due to the larger size of image sensors in DSLRs which allows for larger pixel sizes – DSLRs are generally able to be used at a faster ISO which will lead to faster shutter speeds and less grain. Adaptability – DSLR’s ability to change lenses opens up a world of possibilities for photographers. While my point and shoot has a nice little 3x Optical Zoom (and many these days have longer ones) my DSLR can be fitted with many high quality lenses ranging from wide angle to super long focal lengths depending upon what I’m photographing (and of course my budget). Add to this a large range of other accessories (flashes, filters etc) and a DSLR can be adapted to many different situations. It should be noted that when it comes to lenses that the diversity in quality of lenses is great. Image quality is impacted greatly by the quality of the lens you use. Speed – DSLR’s are generally pretty fast pieces of machinery when it comes to things like start up, focussing and shutter lag. Optical Viewfinder – due to the reflex mirror DSLR’s are very much a what you see is what you get operation. ISO range – this varies between cameras but generally DSLRs offer a wide array of ISO settings which lends itself to their flexibility in shooting in different conditions. Manual Controls – while many point and shoots come with the ability to shoot in manual mode, a DSLR is designed in such a way that it is assumed that the photographer using it will want to control their own settings. While they do come with good auto modes the manual controls are generally built in in such a way that they are at the photographers finger tips as they are shooting. Hold it’s value – some argue that a DSLR will hold it’s value longer than a point and shoot. There is probably some truth in this. DSLR models do not get updated quite as often as point and shoot models (which can be updated twice a year at times). The other factor in favor of DSLRs is that the lenses you buy for them are compatible with other camera bodies if you do choose to upgrade later on (as long as you stay with your brand). This means your investment in lenses is not a waste over the years. Depth of Field – one of the things I love about my DSLR is the versatility that it gives me in many areas, especially depth of field. I guess this is really an extension of it’s manual controls and ability to use a variety of lenses but a DSLR can give you depth of field that puts everything from forground to background in focus through to nice blurry backgrounds. Quality Optics – I hesitate to add this point as there is a large degree of difference in quality between DSLR lenses (and point and shoot cameras are always improving) but in general the lenses that you’ll find on a DSLR are superior to a point and shoot camera. DSLR lenses are larger (more glass can add to the quality) and many of them have many hours of time put into their manufacture (especially when you get into higher end lenses). I strongly advise DSLR buyers to buy the best quality lenses that they can afford. It it’s the difference between a high end lens on a medium range camera or a medium range lens on a high end camera I’d go for quality lenses every time as they add so much to photos. DSLR Weaknesses. Price – while they are coming down in price (especially at the lower end) DSLR’s are generally more expensive than point and shoot digital cameras. Also consider that you might want to upgrade your lens (as kit lenses are generally not of a super high quality) or you may wish to add more lenses later and that this adds to the cost of a DSLR. Size and Weight – the only reason I take my point and shoot out with me is on those occasions when I don’t want to lug my DSLR (and it’s lenses) around with me. DSLRs are heavy and sizable and when you add a lens or two to your kit bag you can end up with quite the load! Maintenance – a factor well worth considering if you’re going to use a DSLR with more than one lens is that every time you change lenses you run the risk of letting dust into your camera. Dust on an image sensor is a real annoyance as it will leave your images looking blotchy. Cleaning your image sensor is not a job for the faint hearted and most recommend that you get it done professionally (which of course costs). This is a problem that is being rectified in many new DSLRs which are being released with self cleaning sensors. Noise – DSLRs are generally more noisy to use than point and shoots. This will vary depending upon the lens you use but while point and shoots can be almost silent when taking a shot a DSLR will generally have a ‘clunk’ as the mechanisms inside it do their thing. I personally quite like this sound – but it’s something that is a factor for some. 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